8/7/2023 0 Comments Tinderbox poetry![]() ![]() This reading series is hosted courtesy of Sundress Publications. Join us at the Poets in Pajamas Facebook page at the appointed time, watch for the live video to start, and click join to watch the reading and interact with the poet. Sara Ann Winn’s Alma Almanac at Barrow Street She serves as Reviews Editor for Tinderbox Poetry Journal. Her writing has appeared in Five Points, Kenyon Review Online, Massachusetts Review, Smartish Pace. Sarah Ann Winn’s first book, Alma Almanac (Barrow Street, 2017), won the 2016 Barrow Street Book Prize, selected by Elaine Equi. The event on Facebook will remind you to attend in case you’re like us and tend to forget these things so please head over and click “going” to let us know to expect you. Reading to be held at the PiP Facebook Page, HERE. Poets in Pajamas brings you Sarah Ann Winn at 7pm EST (4pm Pacific) on November 11th with a 15 minute live reading to be immediately followed by a short Q&A. Poets in Pajamas 2019 Double-Feature Launch! The land on which Sundress Publications operates is part of the traditional territory of the Tsalagi peoples (now Eastern Band of Cherokee Indians, Cherokee Nation of Oklahoma, and United Keetoowah Band of Cherokee Indians) and Tsoyaha peoples (Yuchi, Muscogee Creek). Join us at the Poets in Pajamas Zoom or on the Poets in Pajamas Facebook page at 7 pm Eastern (4 pm Pacific) on Sunday February 5th. When the live video starts, click join to watch the reading and interact with the poet. She hates writing about herself in the first Organized the 2017 Writers Resist reading there. She assists with the legendary Evil Grin Poetry Series in Annapolis and She has an MFAįrom Vermont College of Fine Arts, and she received a 2017 Maryland State Arts Council Her debutĬollection The Unbeckonable Bird (FutureCycle Press) was published in 2018. Her poems have appeared in many journals andĪnthologies, including the Gettysburg Review, Gargoyle, and Beltway Poetry. I Offer Kitty Genovese Fake Fruit, Tinderbox Poetry Journal, Issue 4. The event will be held over the PiP Zoomand streamed on the PiP Facebook page. Corinthians 13:11, Academy of American Poets, Poem a Day. UVA Press, 2013.Poets in Pajamas brings you Pamela Murray Winters at 7 pm Eastern (4 pm Pacific) on February 5 with a 15-minute live reading immediately followed by a short Q&A. “Poem Around Which Everything Is Structured,” Best New Poets 2016, eds. “Poem for the Resistance,” States of the Union, ed. “History (n.),” Best American Poetry 2017, eds. Bianca Lynne Spriggs and Katerina Stoykova Klemer. “Kentucky, September.” Undead: A Poetry Anthology of Ghouls, Ghosts, and More. “Chthonic,” “History (n.),” “Metamorphoses,” “Poem Around Which Everything Is Structured,” “The Milk Hours,” “Years I’ve Slept Right Through,” Aeolian Harp, Vol. Washington Square: “Against Dominion,” Summer/Fall 2011ĭIAGRAM: “Kentucky, September,” 10.5, 2010 Hayden’s Ferry Review: “Schadenfreude (Your Mouth Burning Too),” Fall/Winter 2013Ĭopper Nickel: “Story with a Shriveled Nipple” and “The Scarecrow,” Winter/Spring 2013 Gulf Coast: “Schadenfreude (Memory)” and “Schadenfreude (Rest),” Spring 2014Ĭolorado Review: “Famous Tombs,” Spring 2014 Hunger Mountain: “Small Version of a Long Story,” Summer 2015 Prelude: “Birthday, Weltschmerz,” June 2015 Massachusetts Review: “Other Adam,” Spring 2015 Tupelo Quarterly: “April, Andromeda” and “Torschlusspanik (Already the Sun),” Summer 2015 Meridian: “Poem Around Which Everything Is Structured,” Fall 2015 Louisville Review: “The Milk Hours,” Spring 2016 (Reprinted at )Ĭalifornia Journal of Poetics: “Forget the Song,” Issue 2, 2016 ![]() West Branch: “Klee’s Painting,” Spring 2016 The Kenyon Review: “History (n.),” Sept./Oct. Tinderbox Poetry Journal: “Erosion,” Fall 2017īerkeley Poetry Review: “Mountain Song,” Spring 2017 Palimpsest: Yale Graduate Literary & Art Magazine: “Materia” and “Spaghetti Western,” Fall 2017 (“Spaghetti Western” reprinted at Split This Rock) Poetry Northwest: “Poem for the Nation, 2016,” Spring 2018 The Missouri Review: “Le Moribond,” “At Assateague,” and “End,” Fall 2018īoston Review: “Metamorphoses,” March 2018 ![]() Western Humanities Review: “Catalogue Beginning with a Line by Plato,” Spring 2019 Jet Fuel Review: “Glossolalia,” November 2019 Prelude: “Wet Hands in the Sun” and “Epigenesis,” January 2020 Iterant: “The Recent Past,” “Still Life,” and “From a Plane,” Issue 4, Spring 2021 Tupelo Quarterly: “Pastoral,” “What Hallows,” “Everything Must Happen But to Whom It Doesn’t Matter,” and “Circles,” folio with interview, Fall 2022Ĭolumbia: A Journal of Literature and Art: “The Delusion of Being Absolute,” Spring 2021 (reprinted at ) Academy of American Poets’s Poem-a-Day: “Echo of Origin,” forthcoming November 2022īennington Review: “Into the Green” and “The Problem of the Real,” forthcoming Fall 2022
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